Vintage wedding dresses

In England, Queen Victoria wore the first white wedding dress, and due to her celebrity status, they became popular. Before that, brides would wear their Sunday best. White has remained popular ever since.

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Queen Victoria’s wedding dress

Here are two true vintage wedding dresses I have on loan from a friend. They are roughly from the Thirties. The What Katie Did CC09 bra is perfect for creating the right shape for the cut of the dresses. Both dresses look home-made from the finishing on the inside.

The lace dress has a square, slightly sweetheart neckline and fits close to the body, with a sweeping train. There is piping on the bodice to add shape. The mutton sleeves have ruching and piping with stuffed shoulder pads stitched into the shoulder seams to hold the lace up and out. The lower part of the sleeves have a row of buttons and a point over the back of the hand. The fastening is under the arm, so the waist is fitted. There is a row of metal poppers (snap fastening) and a hook and eye under the sash.

There is no lining, so I assume, like many dresses of the era, it was made to wear over a slip already owned by the wearer. I am wearing a vintage, probably Fifties midi- length slip. The lace bodice and wide pleated border of lace blend well with the lace of the dress.

The back has a row of decorative covered buttons down the spine, to where the satin sash ties. The lace has only a few holes that need mending, mostly on the fitted part of the sleeves. The hem has suffered some wear and tear and the buttons have discoloured in places. I think this adds to the charm of finding vintage clothes that others have loved and treasured.

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The satin wedding dress has the same fluid shaped skirt and mutton sleeves with pointed cuffs. The V-neck and gathers from the shoulders to under the bust. The seamstress has inserted a modesty panel in the deep V. This dress has no fastening on the body except the sash and poppers in the front panel. The cuffs also have a popper each, with slight wear around one of them.

The front seam was unpicked when I was given this dress. It was only tacked and looked like there were some threads through the front. This makes me think there were buttons that were used again on another dress. I used some satin covered buttons to finish the dress.

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Wallis Simpson sports the high neck, buttons and gathers, with the body skimming skirt. The neckline, shoulders and gathers on the dress worn by Ginger Rogers are heading into the Forties, but are echoed in the vintage dresses I have shared with you.

For Fifties and Sixties inspiration, search Marilyn Monroe, Grace Kelly, Audrey Hepburn and Elizabeth Taylor. White wasn’t always the choice, and the styles vary dramatically. Some have stood the test of time, while others are of their time.

 

Bladerunner

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Inspired by Rachael in Blade runner – Forties hairstyle

The stylist and costume department must have had a great time dressing the female characters in Bladerunner. I think I could live in this collective wardrobe, but would perhaps cause undue comment grocery shopping in a few of them. Iridescent scales for one.

The mix of 80’s futuristic sci-fi and Forties film noir is spot on and works so well. Forties and Eighties cross over a lot. Think big hairdos, shoulder pads, empowering tailoring for women and even the transparent coat!

Following are my favourite looks from the film, and what I have used from my wardrobe to emulate the most wearable and stylish outfits – those worn by replicant Rachael.

Rachael

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Rachael Blade runner

Rachael has a classic femme fatale Forties hairstyle and make-up, which echo the film noir style of filming this futuristic sci-fi story. Her make-up seems to change slightly through the film, but the basic features remain – strong eyebrows and cheekbones, smoky eyes, red lips, with red nails.

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Blade runner Rachael – hair and make-up
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Eye make-up detail

I found good tutorials for Forties hairstyles like Rachael’s in Vintage Hairstyles.

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The colour palette for Rachael’s wardrobe are muted shades of grey and blues and greens (just about visible on her blouse), that work well with the film noir lighting and photography.

The grey suit with horizontal stripes of tonal fabric is straight out of the Forties, even Marilyn Monroe owned one similar to this, before she was famous. The crossover detail on the neck is also a detail used on clothes in the Forties, as is the matching thin belt. The straight cut and just below the knee length skirts are Forties too.

Under this suit, Rachael has a long sleeved V-neck blouse with pintucks of various colours. This is seen when in Dekkard’s flat, sitting at the piano.

The black suit, in futuristic fabric with a sheen, has a high neck again. The collar looks like a shirt collar, with a diamond shape Art Deco style brooch centrally placed, instead of a bow or tie. At one point she has a clutch with an Art Deco pattern too.

And every femme fatale needs a fur coat.

Notice the heeled court shoes too, if you can. The pair with the grey suit have an interesting two-tone design.

On Pinterest I’ve saved more photo’s of Rachael’s outfits.

The grey suit above is from Vintage Guru. It is an Eighties does Forties skirt suit, with a high waisted pencil skirt and a collarless box jacket. The buttons at the back are a lovely detail and are actually used as the fastening. The buttons around the waist and hips needed moving slightly to give me room to move, and the skirt was shortened from ankle grazing up to below the knee.

These navy separates go well as a suit, with the skirt I made and the vintage heels echo the Art Deco detailing featured in Rachael’s outfits.

Here are some other outfits from my wardrobe, inspired by Rachael.

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Pris

The spray paint futuristic make-up is one I want to use for a party. Chokers are back in vogue,and something I wear anyway, but my stocking’s stay under my clothes. It looks like Pris is wearing a playsuit.

Zhora

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Zhora’s clear raincoat

This clear PVC swing coat is something I’m still looking for. I was surprised when researching this to find that clear plastic raincoats were fashionable as early as the Forties. The swing shape makes this unusual, as most available now are trench coats or hooded poncho’s.

I love the stand up mandarin style collar and the large oval top stitched pockets. The piping around the yoke and the small pockets on the chest are fairly traditional, but I like that the edges of the sleeves and hem are not outlined, but you can only see them when the light catches them.

Anyone out there able to make this? Get in touch, please!

Over-the-knee boots are finally back in fashion. Not that if they weren’t it would stop me wearing them, but to be fashionable means one is able to buy a pair easily. The spikes are less practical, and I like the thigh cuff, which reminds me of Princess Leah’s slave outfit, with the intricate metalwork.

See my posts about The Avengers and Mrs Peel for more on over-the-knee and thigh high boots.

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Zhora’s showgirl outfit

The show ‘outfit’  (I use the term very loosely) of iridescent scales or body gems looks amazing, and could be nodded to with a sequined flesh tone top or body, worn with more conventional skinnies or would even look good with a fluid silk skirt.

The gems would be great party make-up.