Marnie’s Yellow Handbag

While there are already some informative posts about Alfred Hitchcock’s use of handbags in films, and Marnie’s Yellow Handbag from the opening sequence of the film Marnie, I am just looking at the sartorial beauty of the thing. For further reading, check out this one here.

Since seeing the film a number of years ago I have been searching in vain for anything remotely similar. When I say ‘remotely’, I actually have quite a few specifications. Like, the Actual Bag. Not too much to ask? Apparently.

Here’s a breakdown of the main features;

• Leather for durability, or a vegan (plant based) option that stands the test of time. Please throw me suggestions as I don’t have any experience with vegan leather yet.

• The easy nestling underarm size – big enough for all the essentials.

• The clasp closure with the ruching into the frame.

• The colour: bright yet muted yellow. Butter, maybe. Custard?

• No icky black sealing along the seams which is so often seen nowadays! Why?! It’s obviously cheaper than actually sewing it in, but use a matching colour, please! Anyone else irritated by this?

I used to have a purple mock croc handbag by Fiorelli in the right size and shape, with an amazing oversized clasp which a always got compliments, mainly from men! So when it flaked beyond it being respectable to go out in public I took it apart and kept the interior and frame clasp. This was in the optimistic hope being able to sew my own using some leather remnant I might find in The Yellow. However, with Lockdown #1-3 my chances of visiting Pittards factory outlet have so far been thwarted.

Ploughing through the internet for the easier option of buying, you’d think I would find something. Not likely! Nobody makes what I want to spend my money on.

Then, out of the blue a fashion ad popped up on my IG feed with Hitchcockian overtones, and I saw a glimpse of a Yellow Bag. Watch it here.

Finally, someone with the means to design and make the bag has been inspired by Marnie’s Yellow Handbag.

Salvatore Ferragamo SS21

Further searching following that excitement, I found another brand with the right style handbags for SS21. Neither is exactly right. If only Salvatore Ferragamo had the ruching, or the Pastaccino by Max Mara was available in yellow.

Pasticcino bag by Weekend Max Mara

Now, while they are out of my budget bracket, it fills me with renewed hope to keep watching the high street for cheaper options, if I don’t attempt making my own. Usually 2 or 3 years down the line. Patience is a virtue.

Any good YouTube tutorials out there?

Do you have an iconic bag you treasure or on your wishlist? Maybe a Kelly by Hermes? Or Grace Kelly’s little overnight case in Rear Window?

Rome and Tuscany outfits review

Rome Italy sightseeing fontana Di Trevi

Sorry for the long delay to write this review. I had a wedding to plan, my wedding dress to make and moving house! (Which also means I’ll be writing a post on my dress.)

While the weather is still cold it’s rather nice to think about holidays abroad in the sun. Maybe you’re about to go on a winter break somewhere sunny or need packing inspiration for your summer holiday. Here I review my holiday outfits from my 2018 summer holiday in Rome and Tuscany.

The weather was hot and we even had a couple of stormy days, which while in Rome wasn’t the best experience because of the mosquitos coming out to play and not so glamorously getting drenched in a downpour while at the Trevi fountain. Long sleeves and long baggy trousers would be ideal to protect yourself against the blighters.

As usual, getting full length photos of good quality was non-existent, as the group of us was fairly big, and by the time we’re all in a photo, we look quite far away!

I wore the striped cotton blouse I made based on a photo of Marilyn Monroe ( in a striped shirt dress) with a reproduction of a favourite linen skirt I owned that fell apart. I co-ordinated a true vintage square scarf. This outfit was my Roman Holiday homage. It was light and cool except for the belt because of the extreme heat in the colleseum.

A vintage outfit with comfortable footwear is always a good idea if you are going to do a fair amount of walking. I added gel soles to my flat sandals which made them really comfortable.

Leaning tower of Pisa cream Palazzo pants thirties repro striped blouse
Taking inspiration from Phryne Fisher

On our trip to Pisa I wore cream high waisted Palazzo pants from La Reroute, which I altered to fit. These were cool and easy, with no apparent creasing, unlike the linen. The blouse, made from the same remnant of fabric as the other blouse, was made using an original Thirties pattern. It wraps t the back and ties at the front. The shaping works well with What Katie Did bras. In this case, it’s the CC09 1940’s bra. I wore comfortable wedge sandals to keep my cream trousers off the floor!

I packed a cotton shirt dress which I could button over swimwear or shorts and was a flattering shape without a belt, although I did wear one to smarten it up.

Apart from a couple of days sightseeing, I spent time by the pool in swimwear and high waisted shorts. I didn’t stay vintage all the time, but there’s a good selection of vintage style and retro swimwear around. It all repeats eventually! For example, forluna.co.uk do a good selection, some similar to styles worn by Marilyn Monroe.

There’s no reason why vintage can’t be comfortable if you keep your destination needs in mind, like weather, walking and activities you have planned.

Mending a feather hat

Vintage dressing often includes hats, and there are lots of examples in old films. Before I post Part 3 of How to Wear Vintage Hats, I thought I would share how I mended one of them. Often bargains are damaged, so learning how to mend vintage is a valuable skill.

This lovely Biba hat was missing a few feathers when I was entrusted with it. I managed to find a multi-pack of natural coloured feathers in a craft shop. Finding the right notions to fix things is the most difficult part!

After picking out the best colour and size, I trimmed the fluffy bits off the feathers.

I experimented with a black Sharpie pen to draw on spots to match the original. I glued the ends to slide under the feathers already fixed onto the hat.

I think I managed pretty well matching the feathers. Can you spot the replacement feathers?

Marilyn’s Niagara dress

 

This is an amazing summer dress from the film Niagara, that Marilyn’s character Rose wears on a supposedly romantic holiday with her husband. The story is great too, with a definite Hitchcockian feel to it. Marilyn gets to play a darker role and pulls it off with flying colours.

I needed help to draw up the pattern for this, and my Mum did an amazing job. I’m a hard taskmaster for accuracy! I’m not too keen on wearing hot pink, although the colour looks good on Marilyn with her bottle blonde hair. I chose a teal cotton, which I think looks better with dark hair and pale skin.

 

Unlike similar reproductions you Ind online I kept the skirt looser from the hips down by cutting it straight, and also putting the split at the back. As there are no pintucks at the front, the curve of the waist to hip was sewn in the side seam. The fastening is a front zip, with the gathers stitched in place.

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Detail on Niagara dress

For a smooth look, I sew bullet bra pads into the top. Marilyn didn’t need to do this, but I think it gives a better shape and makes me feel like I am wearing something underneath! This is a good trick for tops or dresses with cutouts in awkward places. Multilayer bras aren’t always hidden, and stick ons don’t give an authentic vintage silouette. You can buy these from What Katie Did in black or white.

 

The sandals have been the closest similar to the original photos as I have found so far. See more about these sandals here. I have accessorised with gold hoops and heart charm bangles. I think Marilyn’s bracelet is a chain with a single charm.

In the film, she accessorises with a pale, possibly white, floaty scarf and a white clutch.

I’ve worn this dress to, among other things, a summer wedding abroad and a surfer/ Hawaiian themed party. Red or hot pink go well with teal.

I hope to recreate some of her other outfits from this film in the future. The wool jackets are beautiful.

Here is a true colour commission of this dress worn by model @xxruffdyamondxx

Fifties pinup old Hollywood glamour vintage reproduction dress

 

Vintage and Retro Sunglasses

Vintage dressing always looks best finished with accessories. Generally, I plan jewellery with my clothes, but with sunny weather here, sunglasses are picked up as I rush out the door. I try to make it simple by having a few pairs (not too many!) that cover the decades I like.

For the Twenties, Thirties and Forties small round glasses were popular. There are some fun frame designs from the Forties, like petals around the eyes to create flowers! Watch Agatha Christie’s Evil Under the Sun (film or ITV) for some great Thirties summer outfits and sunglasses. I love the colourised photo of a young blonde Bette Davis with an icecream.

Bette Davis sunglasses
Round Thirties sunglasses

Cat eye glasses epitomised the Fifties, from bookish to pin-up. Marilyn Monroe wore a thinner black design that won’t flatter everyone, but I like the wider frames that go to the edge of the face, and up to the eyebrow. Classic black or tortoiseshell goes with everything, but there is plenty of scope for fun. Coloured frames to match lipstick, dresses or accessories were popular, as were diamante details and shapes on the upper edge. Ray-Ban wayfarers were worn by Marilyn too, and these are a classic style that’s still popular.

Going into the Sixties, sunglasses got bigger and any shape and design imaginable show up. Generally, bug-eye and soft edged square shapes were popular. Grace Kelly had a huge selection of sunglasses, and that might be a good place to start if you want to have a reference to shapes and styles before you shop round.

Grace-kelly-Sunglasses-To-catch-a-thief

My dream pair of sunglasses are the pair Audrey Hepburn wears as Holly Golighty in the film Breakfast at Tiffany’s. They have a tortoiseshell framework greenish lenses. These were designed by Oliver Goldsmith. It’s worth checking out some of his other designs too. There are lots of similar designs out there, but if you want the real thing, Oliver Goldsmith reissued a line!

Breakfast at Tiffany's - Oliver Goldsmith sunglasses

This style covers the Seventies owl eyes and modern styles currently popular.

They are well worth it, they met all my expectations. Now I’m scared of scratching them, so I am learning to be glasses conscious, not wearing them on top of my head and always putting them in a hard case when I’m not wearing them.

Here’s my line-up of necessary styles to have a pair for any outfit from the Twenties to the Sixties.

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All these eras are covered by modern styles available to buy on the high street. Now you know what to look for, I hope you find a style you like.

Fifties cropped trousers

I love the fit of vintage clothes, that high street brands rarely match. Trousers that fit snug on the waist but actually fit over my hips are difficult to find.

See how nicely Fifties trousers fit, and you’ll be glad to know there are replica vintage brands that fill the need. For example, Collectif, Bernie Dexter, Pinup Girl Clothing, Heyday and Vivien of Holloway.

However, the price tag isn’t always level with the high street because of the work that goes into shaping. Still, they may not match the difference between your waist and hips as they have to size ready-to-wear with an ‘average’ difference. Vintage clothing generally gives a 10″ difference between hips and waist for an hourglass figure, or 12″ appears on my vintage patterns. Let me know if you’re lucky enough to find high waisted trousers with this difference in a high street brand!

I love my replica vintage ladies jeans from Vivien of Holloway. The fit is perfect at the waist and over my hips. This makes them so comfortable, as they just stay put, and don’t require me pulling them up as they stretch. The leg is pretty much a classic straight cut and and the seams don’t twist. The belt loops are fairly big, over an inch, so a belt can be worn. They were sold as rolled up jeans, but i do unroll mine and they come to my ankles. I’m 5’2″, so no supermodel. I guess if you have long legs, they’d be 7/8th length? Still perfect pin up jeans, good with flats or heels, a really flattering fit with a slight stretch to the fabric.

The other trousers I love wearing because they fit well, are a pair I made from a vintage replica sewing pattern.  I bought some black and white gingham for making Miss Winter’s skirt The Assassination Bureau, and had plenty left over for making a pair of cropped trousers inspired by Marilyn Monroe.

A friend asked me to make her a pair, and here she is channelling Audrey Hepburn, modelling them.

 

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Photo credit: Gina Walbridge

Here’s what to wear with vintage style trousers;

  • A lightweight knit with heels like Marilyn
  • Boat neck top and ballet flats like Audrey
  • Shirt and loafers like Grace

Notice the details too;

  • The decorated flats Audrey wears or the laces on Grace’s flats
  • a scarf as a belt
  • The variety of patterns used for the trousers, while keeping the top plain.

How do you wear yours?

Modern earrings into vintage

Drop earrings are seen in old photos, and you can still find them. I like wearing this style with Victorian and Edwardian styles. The Sherlock Holmes series and other period dramas are a good reference.

The Forties, Fifties and Sixties saw the rise and continued popularity of large earrings. This was revisited in the Eighties, which are seeing a revival for SS17.

Heavy earrings with hooks can leave unsightly stretched earlobes  visible. By modifying earrings to hide hooks, to look like clip-ons, will give a modern pair a vintage look.

You will need:

  • Earrings
  • Tweezers
  • Small/ fine ended pliers
  • Needle and matching thread or superglue & felt
  • Scissors

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1) If you cannot twist the hook around to sit it behind the earring design, follow this step. Alternatively, skip to step 5.

Remove the hook and link. These didn’t have links, so I just had to pry open the fastened end of the hook. You can use old tweezers, small pliers or if it’s soft metal, even your nails (beware chipping nail varnish!)

Loosen the spiral of wire, to push it up the hook, as if you’re going to slide it off. This reveals the fastened end.

2) Stick your nail in the gap where the wire is pressed together. The gap you create should be big enough to slide the hook off the earring. (I also removed the tassle in the same way.)

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Join hook lower on the earring

3) If the earring has something on the back you can loop the hook around, be sure you can lay the hook against the back ready to afix.

4) Close the loop end with the pliers. Push the spiral back over the join.

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Afix the hook to the back of the earring

5) Check the hook won’t show from the front. Using a needle and thread, sew the hook from top to bottom, to hold it in place.

If there is nothing to stitch through, but you have a solid surface on the back, flatten the lower part of the hook against the back and glue.

Cut a small square or circle of felt to glue over the glued part of the hook. You may need to use something to hold the hook up while the glue dries, like blue tack.

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Modified hook backed earrings

Is this useful? Are there other types of earrings you want to modify?

Changing earrings to clip-ons

Here, I’ll show you how to change a pair of pierced earrings into clip-ons. You might want to do this because you don’t have pierced ears, or, in this case, the earrings are too heavy to sit nicely with posts.

I couldn’t find the clip-on fixings in my local haberdashery or craft stores, so went online. I spent along time searching various craft sites, but for value and ease I bought a multi-pack from eBay. It has various sellers, so you can choose the colour and shape you like.

Most vintage earrings you will find are clip-ons, and sit covering the earlobe. At the moment, Art Deco designs and big Eighties earrings are on the high street. Some of these will have a design that covers the earlobe, but are for pierced ears. I find the weight stretches my ear and ruins the look. In this case, one of the posts broke from the weight! Clip-ons spread the weight, and keep the earring higher on the ear, giving a vintage look.

To change post earrings to clip-ons, you will need;

  • Earrings with a base of 1cm or more
  • Clip-on fixings/ notions
  • A fine edged sharp tool (use common sense and use responsibly)
  • Fine sandpaper or small sanding tool
  • Superglue
  • Cotton bud

1. Firstly, if the earrings have posts, they can usually be twisted or bent off, but the base fixing will need to be pried off using something sharp and thin enough to work between the metal and the earring base.

(This should only be done by a responsible adult with common sense – work the blade away from you and watch your fingers!)

I didn’t have any special tool, I improvised by looking in the kitchen drawer. I used a fish knife. This is slow and delicate work as you want to avoid scratching the earring.

If they have a hook fixing, a small pair of pliers will loosen the join and you can remove them from the loop. I’ll show how to do this in another post.

2. Once you have prized off the post base, use the soft sandpaper to smooth the earring base ready to fix the clip-on onto the earring. Use a fine/ soft sandpaper to avoid damaging the earring. Wipe the earring base clean and lay back facing up on a sheet of paper.

3. Open the clip-on and put a small blob of glue on the back of the clip base. Place centrally on the earring base and once in the right place, pressing firmly.

4. Use the cotton bud to wipe away any overspill of glue. Leave for 24 hours, or as instructed on the glue packaging.

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Art Deco style earrings

If you find wearing clip-ons all day makes your ears hurt, buy some rubber pads which can be pushed through the hole on the back of the clip.

Fifties sari dress

This slightly irridescent silk sari fabric was a remnant given to me as a gift. I don’t feel like orange is a colour I naturally choose to wear, but I thought this was beautiful with the gold embroidery, so I’ve spent years just admiring it draped over a mannequin. My first idea had been a Regency dress. However, as I never got around that, I eventually looked for some vintage ideas of how to style it into a Fifties dress. My impetus was finding an outfit for a friend’s wedding.

As the fabric is patterned and beautiful standing alone, I kept to a pattern without making alterations to it. The simple fitted shift dress is accessorized with a detachable sash. This is a nod to the sari. The dress needs little added, so I kept my jewellery classic with a vintage pearl necklace, gold hoops and my gold heels (bought because I love Marilyn’s shoes in Bus Stop).

Indian fabric was used in the Fifties for Western style dresses. The pictures I found made good use of the gold panel of embroidery often found on saris. My first choice was to copy the one shouldered Dior dress with a stitched wrap of gold edging used for the bodice, and a full skirt. The sari I had was only a remnant, and I didn’t have enough. Less fabric meant a pencil skirt and and no gathers. I did get my sash though.

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At the wedding

On the day, I did require some dress first aid when I ripped the back seam of the skirt getting in the car. The trouble was climbing in instead of sitting and swivelling like a lady. I think that’s something you learnt at finishing school. Thanks to my mum’s first aid kit ( for clothes, naturally) I was able to enjoy the rest of the evening without embarrassment!

I think if I get the opportunity to buy a whole sari, I’ll make the Dior dress. Then I’ll just need something to wear it to.

London trip – Winter 2017

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Theatre and Fashioning a Reign exhibition plans

This January, I went to London to see the exhibition of some of the Queen’s dresses – Fashioning a Reign, at Windsor Castle. For a night out we went to see the comedy The Play That Goes Wrong. I love packing for a weekend away, and the British weather certainly adds to the challenge!

We travelled up on the train to Waterloo Station on the Friday, in the afternoon. I wanted to wear something comfortable, but nice enough to wear out to dinner, as there might not be time to change.

I wore my taupe or mushroom coloured fit and flare dress by Peter May. I bought this on a previous trip to London, along Portobello Road. I saw it in the window, and thought it looked like a dress that could have easily been worn in a Hitchcock film, like Marnie. This is a perfect winter dress as it is fairly thick Jersey, and the skirt is lined with a soft Jersey. My brother calls this my Jedi dress because of the colour and the wrap effect. The sash is really long and you can wrap it for different looks. I can pull it really tight as it has some stretch.

I accessorized with classic pearl jewellery – the earrings were modern, the three strand necklace and brooch are both vintage. I wore my brooch on the belt, under the gathers of the knot. I always loved how Jane Russell uses the brooch from the hip of her showgirl dress, on the pocket of her jacket in Gentleman Prefer Blondes. This was a popular outfit refresher in the Fifties.

The vintage feathered hat and vintage hatpin stayed put really well, and apart from worrying about the feathers in the wind to start with, I got used to wearing it, and stopped thinking about it. This is the best way to wear hats, so I’m definitely going to try out some more. I love the Fifties fitted style hats, so I’ll be looking to increase my collection.

With the face framing feathers, I wore this hat with my hair twisted up at the back. This is the hair I stuck my hatpin through to secure the hat.

On Saturday, we took the train to Windsor Castle to see the exhibition Fashioning a Reign. My photographer, my friend Gina Walbridge took some photos of me in the grounds. Unfortunately, no photography was permitted in the castle or of the dresses we saw. My favourite outfits were the few from the Fifties, including a beautiful full length full skirted dark teal velvet skirt with a fitted ivory silk bodice. The other dresses by Norman Hartnell and Hardy Armies were beautiful in their craftsmanship, structure and detail.

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The coat, vintage bag and sensible heels were pretty much my uniform while we were out and about.

When we stopped for afternoon tea in Windsor (which had to be seen to be believed, it was so massive!) I was able to show off my vintage teal velvet pleated dress. This is a Seventies vintage dress, but the style and fit work well with Forties and Fifties styling. I wore it with a butterfly brooch and huge turquoise vintage clip-on earrings.

On Saturday night, we went to see The Play That Goes Wrong, just before it went on tour. I would highly recommend going to see it. We laughed so much, I could hardly breathe!

I went for a Twenties look, in a Nineties velvet devore bias slip dress.

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Diamanté wing hair combs

On Sunday morning we travelled home. This was my standby outfit for day or night, so it was slightly wasted on the train, but I like to dress up, like I’ve walked off a Fifites film set!

Four outfits for one weekend in one small suitcase was pretty good packing, and I only took two pairs of shoes. To save space, I didn’t pack rollers, but pincurled my hair each night which worked pretty well, having washed and set it before I went away.

My next trip away will be in late Spring, to Portugal, so I’ll hopefully be able to pack some lighter clothes! In the meantime, I’m still enjoying the tartan, velvet, knits and thick weave fabrics of winter.