In 1962, George Barris took a series of photos of Marilyn Monroe on Santa Monica beach. So, technically, this isn’t from the silver screen. This shoot takes chunky cardigans into a wardrobe staple, if not a pin up status. This is very similar to the one in Starsky & Hutch too.
If you love barbeques on the beach, even in the summer you need something warm to wrap up in as the sun sets.
I’ve wanted to have one of these for a while, but nobody seems to knit it to look like the photo. The stitches seem more textured than plain knit, perhaps because it’s chunky. I couldn’t get the right look, so I experimented with some different stitches to find the right look.
Compared to that, drawing out the Cowichan design was easy! Figuring out the colours we fun too. It was my brother who pointed out that there is a fourth colour. Look carefully at the diamonds in some of the photos, and you can pick out a dark grey.
The original – Marilyn Monroe’s Mexican cardigan
My Marilyn chunky knit cardigan
I used a similar cardigan pattern from the Seventies, although I think I ended up altering most of it to get the right look.
For the dark winter months. Not vintage, I know, but I’ve included some vintage styling of the jumpers.
I couldn’t justify buying an authentic (by Gudrun & Gudrun) Sara Lund jumper (or three), so I had a Plan B. None of the imitations on offer looked like the original, but more ‘inspired by’, so they couldn’t be accused of plagiarising, which is fair enough. If you want a job done properly…
I started with various photos and screen shots from Forbrydelsen (original Danish The Killing) and the official website selling the jumpers. Based in the Faroe islands, and knitted with natural, untreated wool from local sheep, led me to look for a similar wool that would knit up to the correct tension. My search led me to a Faroese site selling their local wool, probably from the same sheep! Others had come before me, in search of the same thing. A very useful post said the yarn weight and needle size that produced good results similar to the original. This saved lots of time knitting tension squares!
Using the photos, I laboriously counted the stitches and pattern repeats. I drew up the pattern, and bought a set of double ended needles. Although the wool looks thin compared to the chunky needles, it really worked!
Home knitted version of Sarah Lund’s jumper
Fairisle detail of my jumper
I love the wool too, because it should rarely need washing, it keeps me warm like only real wool can and the jumper is like a second skin to peel on and off, so it’s now my size and shape.
The Killing series 2 version of the jumper
My version of The Killing series 2 jumper
Pattern detail of my series 2 jumper
It was so successful, I knitted a second one, and I think the blue one may be possible, now the colour is available.
Diamond Forbrydelsen jumper
Red Forbrydelsen jumper
Chevron Forbrydelsen jumper
Blue Forbrydelsen jumper
If you’ve seen Sarah Lund’s jumper collection, which are your favourite? There’s the diamond, chevron and red jumpers too!
Here are some vintage styling ideas for lovers of Nordic Noir. And for those no nonsense days, I’ve thrown in Saga’s look from The Bridge.
Mixing vintage and Nordic noir
Jumper with pencil skirt
Dark jumper with checked skirt and frills
Saga and her classic Porsche
Khaki military style coat, dark top, wax coated black trousers and leather biker boots
This knitted top is a pattern called Charleston from Rowan magazine 39. The designer was inspired by the 1920’s and 30’s. The drape is intended to be on the front, but having looked at some 1930’s evening dresses, I put the drape at the back.
The fashion was to have the detail at the back, while often having a high neck a the front. Silks and satins are perfect for drapes and bias cut skirts. It was a challenge to knit and attach the drape to hang nicely.
Front bead and crossover strap detail
Back beading and straps
The idea of attaching or incorporating jewellery into ones clothes is coming back into fashion. Check out Prada and Chanel for modern reinterpretations. I’ve started wearing my vintage brooches on my coat and jacket pockets.
This aspect of the 30’s style is reflected in the beading along the front, back and in the straps. I used clear and pearl beads (each threaded onto the wool – Rowan Kidsilk Haze) so there is just a hint of sparkle. The fine lace pattern around the waist/hips adds interest. I enjoyed knitting this and it is comfy to wear as well as pretty.
Some close-ups of the beading at the back and the lace.