Vintage dressing often includes hats, and there are lots of examples in old films. Before I post Part 3 of How to Wear Vintage Hats, I thought I would share how I mended one of them. Often bargains are damaged, so learning how to mend vintage is a valuable skill.
This lovely Biba hat was missing a few feathers when I was entrusted with it. I managed to find a multi-pack of natural coloured feathers in a craft shop. Finding the right notions to fix things is the most difficult part!
After picking out the best colour and size, I trimmed the fluffy bits off the feathers.
I experimented with a black Sharpie pen to draw on spots to match the original. I glued the ends to slide under the feathers already fixed onto the hat.
I think I managed pretty well matching the feathers. Can you spot the replacement feathers?
In 1962, George Barris took a series of photos of Marilyn Monroe on Santa Monica beach. So, technically, this isn’t from the silver screen. This shoot takes chunky cardigans into a wardrobe staple, if not a pin up status. This is very similar to the one in Starsky & Hutch too.
If you love barbeques on the beach, even in the summer you need something warm to wrap up in as the sun sets.
I’ve wanted to have one of these for a while, but nobody seems to knit it to look like the photo. The stitches seem more textured than plain knit, perhaps because it’s chunky. I couldn’t get the right look, so I experimented with some different stitches to find he right look.
Compared to that, drawing out the Cowichan deign was easy! Figuring out the colours we fun too. It was my brother who pointed out that there is a fourth colour. Look carefully at the diamonds in some of the photos, and you can pick out a dark grey.
The original – Marilyn Monroe’s Mexican cardigan
My Marilyn chunky knit cardigan
I used a similar cardigan pattern from the Seventies, although I think I ended up altering most of it to get the right look.
Vintage dressing always looks best finished with accessories. Generally, I plan jewellery with my clothes, but with sunny weather here, sunglasses are picked up as I rush out the door. I try to make it simple by having a few pairs (not too many!) that cover the decades I like.
For the Twenties, Thirties and Forties small round glasses were popular. There are some fun frame designs from the Forties, like petals around the eyes to create flowers! Watch Agatha Christie’s Evil Under the Sun (film or ITV) for some great Thirties summer outfits and sunglasses. I love the colourised photo of a young blonde Bette Davis with an icecream.
Cat eye glasses epitomised the Fifties, from bookish to pin-up. Marilyn Monroe wore a thinner black design that won’t flatter everyone, but I like the wider frames that go to the edge of the face, and up to the eyebrow. Classic black or tortoiseshell goes with everything, but there is plenty of scope for fun. Coloured frames to match lipstick, dresses or accessories were popular, as were diamante details and shapes on the upper edge. Ray-Ban wayferers were worn by Marilyn too, and these are a classic style that’s still popular.
Marilyn wearing cat eye sunglasses
Marilyn in Ray-Ban wayferers
Going into the Sixties, sunglasses got bigger and any shape and design imaginable show up. Generally, bug-eye and soft edged square shapes were popular. Grace Kelly had a huge selection of sunglasses, and that might be a good place to start if you want to have a reference to shapes and styles before you shop round.
My dream pair of sunglasses are the pair Audrey Hepburn wears as Holly Golighty in the film Breakfast at Tiffany’s. They have a tortoiseshell framework greenish lenses. These were designed by Oliver Goldsmith. It’s worth checking out some of his other designs too. There are lots of similar designs out there, but if you want the real thing, Oliver Goldsmith reissued a line!
This style covers the Seventies owl eyes and modern styles currently popular.
They are well worth it, they met all my expectations. Now I’m scared of scratching them, so I am learning to be glasses conscious, not wearing them on top of my head and always putting them in a hard case when I’m not wearing them.
Here’s my line-up of necessary styles to have a pair for any outfit from the Twenties to the Sixties.
All these eras are covered by modern styles available to buy on the high street. Now you know what to look for, I hope you find a style you like.