Marilyn’s “Let’s Make Love” Aran Jumper

Reproduction of Let’s Make Love jumper

It’s still sweater weather and what’s wrong with that! When thinking about about my autumn-winter wardrobe, starting to pull on wooly socks and chunky knits is something I look forward to every year as the nights draw in and there is that fresh morning chill in the air. As we now enjoy signs of Spring, we have a way to go before there’s any chance of hot weather!

There’s a new addition this year. I finally found a pattern very similar to the blue Aran knit sweater worn by Marilyn Monroe as Amanda in the 1960’s film Let’s Make Love. Although not one of my favourite films, I do watch it for the songs and the clothes!

A definite highlight is Marilyn singing My Heart Belongs to Daddy in the blue Aran Jumper and black tights. I think it’s a good nod to casual Sixties dressing although obviously she is dressed for a rehearsal, not going out! The jumper looks lilac-pink during the number as the lights are pink.

Look carefully and you will notice two variations of the jumper are used in the scene. One with blackberry stitch and diamonds, the other with honeycomb stitch, V cables and a wider boat neck. Do you have a preference?

Marilyn wearing the V cable version and widened boat neck

For some interesting history about the origin and story behind the two versions of Marilyn’s jumper in Let’s Make Love, read Edel Macbride’s post and check out her beautiful knits while you’re there.

It would look great belted, with a pencil skirt or with slim black trousers or a pair of jeans. An Aran Jumper is a classic and can be styled into many eras. I particularly think of Goldie Hawn looking gorgeous in The House-sitter wearing an array of boyfriend jumpers with classic fit jeans or leggings.

I love the idea of a coloured Aran knit as I have generally seen them in neutral colours, and although this blue one is from the Sixties, it somehow feels modern and new. Maybe that’s just me.

Vintage Aran pattern available on Etsy from VintageKnitsPDF

Having knitted the vintage pattern from VintageKnitsPDF on Etsy, I now know the alterations I will make for the next one I knit. For example, extending the ribbed edge, shortening the ribbed boat neck and widening the central panel of pattern. However, the pattern is ever so close and it is a beautiful vintage knit.

Authentic vintage pattern – Aranbeg Maggie Aran jumper
With alterations to reproduce Marilyn’s Let’s Make Love diamond Aran jumper

Would anyone be interested if I knitted more, with the vintage pattern or with the alterations? I am also interested to know if the colour of the sweater with the pink lights on it is another colour you’d be interested in?

Commission’s taken. Check @thegirllovesvintage_shop on Instagram for items for sale.

Mending a feather hat

Vintage dressing often includes hats, and there are lots of examples in old films. Before I post Part 3 of How to Wear Vintage Hats, I thought I would share how I mended one of them. Often bargains are damaged, so learning how to mend vintage is a valuable skill.

This lovely Biba hat was missing a few feathers when I was entrusted with it. I managed to find a multi-pack of natural coloured feathers in a craft shop. Finding the right notions to fix things is the most difficult part!

After picking out the best colour and size, I trimmed the fluffy bits off the feathers.

I experimented with a black Sharpie pen to draw on spots to match the original. I glued the ends to slide under the feathers already fixed onto the hat.

I think I managed pretty well matching the feathers. Can you spot the replacement feathers?

Marilyn’s chunky knit cardigan

Marilyn Monroe cardigan
Photo by George Barris

In 1962, George Barris took a series of photos of Marilyn Monroe on Santa Monica beach. So, technically, this isn’t from the silver screen. This shoot takes chunky cardigans into a wardrobe staple, if not a pin up status. This is very similar to the one in Starsky & Hutch too.

If you love barbeques on the beach, even in the summer you need something warm to wrap up in as the sun sets.

I’ve wanted to have one of these for a while, but nobody seems to knit it to look like the photo. The stitches seem more textured than plain knit, perhaps because it’s chunky. I couldn’t get the right look, so I experimented with some different stitches to find the right look.

 

 

Compared to that, drawing out the Cowichan design was easy! Figuring out the colours we fun too. It was my brother who pointed out that there is a fourth colour. Look carefully at the diamonds in some of the photos, and you can pick out a dark grey.

 

 

I used a similar cardigan pattern from the Seventies, although I think I ended up altering most of it to get the right look.

Contact me if you’re interested in commissioning one!

 

Vintage and Retro Sunglasses

Vintage dressing always looks best finished with accessories. Generally, I plan jewellery with my clothes, but with sunny weather here, sunglasses are picked up as I rush out the door. I try to make it simple by having a few pairs (not too many!) that cover the decades I like.

For the Twenties, Thirties and Forties small round glasses were popular. There are some fun frame designs from the Forties, like petals around the eyes to create flowers! Watch Agatha Christie’s Evil Under the Sun (film or ITV) for some great Thirties summer outfits and sunglasses. I love the colourised photo of a young blonde Bette Davis with an icecream.

Bette Davis sunglasses
Round Thirties sunglasses

Cat eye glasses epitomised the Fifties, from bookish to pin-up. Marilyn Monroe wore a thinner black design that won’t flatter everyone, but I like the wider frames that go to the edge of the face, and up to the eyebrow. Classic black or tortoiseshell goes with everything, but there is plenty of scope for fun. Coloured frames to match lipstick, dresses or accessories were popular, as were diamante details and shapes on the upper edge. Ray-Ban wayfarers were worn by Marilyn too, and these are a classic style that’s still popular.

Going into the Sixties, sunglasses got bigger and any shape and design imaginable show up. Generally, bug-eye and soft edged square shapes were popular. Grace Kelly had a huge selection of sunglasses, and that might be a good place to start if you want to have a reference to shapes and styles before you shop round.

Grace-kelly-Sunglasses-To-catch-a-thief

My dream pair of sunglasses are the pair Audrey Hepburn wears as Holly Golighty in the film Breakfast at Tiffany’s. They have a tortoiseshell framework greenish lenses. These were designed by Oliver Goldsmith. It’s worth checking out some of his other designs too. There are lots of similar designs out there, but if you want the real thing, Oliver Goldsmith reissued a line!

Breakfast at Tiffany's - Oliver Goldsmith sunglasses

This style covers the Seventies owl eyes and modern styles currently popular.

They are well worth it, they met all my expectations. Now I’m scared of scratching them, so I am learning to be glasses conscious, not wearing them on top of my head and always putting them in a hard case when I’m not wearing them.

Here’s my line-up of necessary styles to have a pair for any outfit from the Twenties to the Sixties.

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All these eras are covered by modern styles available to buy on the high street. Now you know what to look for, I hope you find a style you like.